Here Eduardo Cadava demonstrates that Walter Benjamin articulates his conception of history through the language of photography. Focusing on Benjamin's discussions of the flashes and images of history, he argues that the questions raised by this link between photography and history touch on issues that belong to the entire trajectory of his writings: the historical and politica...(展开全部)

Amazon.com Review One can only imagine the amazement felt by L.J.M. Daguerre, when, in the summer of 1839, he gazed upon the first photograph ever made. An image of the view from his Paris apartment of the bustling Boulevard du Temple, it was remarkably detailed yet mysteriously vacant, save for a single man in the distance who appeared to be having his boots polished; the rest...(展开全部)

History in our day is still a story, and yet one that we expect to tell the truth-not just the people and the events of the past, but the invisible order and forces behind them. How can the language of history balance these seemingly contrary tasks, the narrative, the scientific, and the political? This is the question Jacques Rancière explores in The Names of History, a medita...(展开全部)

History in our day is still a story, and yet one that we expect to tell the truth-not just the people and the events of the past, but the invisible order and forces behind them. How can the language of history balance these seemingly contrary tasks, the narrative, the scientific, and the political? This is the question Jacques Rancière explores in The Names of History, a medita...(展开全部)

The study of cinematic style has in many ways shaped attitudes towards films. Style assigns films to a tradition, distinguishes a classic and signals the arrival of an innovation. This book aims to show how film scholars have attempted to explain stylistic continuity and change across the history of cinema. The author explores the theories of style launched by Andre Bazin, Noel...(展开全部)

The study of cinematic style has in many ways shaped attitudes towards films. Style assigns films to a tradition, distinguishes a classic and signals the arrival of an innovation. This book aims to show how film scholars have attempted to explain stylistic continuity and change across the history of cinema. The author explores the theories of style launched by Andre Bazin, Noel...(展开全部)

In this provocative work, John McCumber asks us to understand Hegel’s system as a new approach to linguistic communication. Hegel, he argues, is concerned with building community and mutual comprehension rather than with completing metaphysics or developing historical critique. According to McCumber’s radial interpretation, Hegel constructs a complex ideal of how we should use ...(展开全部)

This new collection of challenging literary studies plays with a foundational definition of Western culture: the word become flesh. But the "word become flesh" is not, or no longer, a theological already-given. It is a millennial goal or telos toward which each text strives. Both witty and immensely erudite, Jacques Ranciere leads the critical reader through a maze of arrivals ...(展开全部)

新海诚： 著名动画导演，被誉为日本新锐动画大师。二零零二年，凭借几乎独自完成的短篇动画《星之声》赢得人气，之后相继发表了《云之彼岸，约定的地方》《秒速五厘米》《追逐繁星的孩子》《言叶之庭》，在国内外获得较高评价。